Surreal And Immersive Art On Bitcoin & The Future Of Digital Expression

With the approaching Bitcoin 2025 conference, which was appointed from May 27 to 29 in Venice in Las Vegas, the digital artist Post Walk-known for her surrealist and normal natural scenery that merges the cosmic and natural elements-to bring her latest series, “Astronomy” to a large audience of Bitcoiners. In honor of her father, a long -standing employee in NASA, this uniquely mastery chain of orders is integrated satellite data and bitcoin mass times, along with seasonal and astronomical patterns such as the moon’s stages. Post Wook will display this work as part of both B25 and Outnals Ordinals, which studies Vegas.

She signed with Post Wook to discuss the latest digital artistic series, the future of art, and the experience of seeing her work appeared on the field in Las Vegas.

Soon the Las Vegas CBHER game is the main attraction on the Las Vegas sector. How was your artwork seeing, “everywhere but inside”, offered to the ball for the first time?

I felt frankly, very surreal! After I worked on the piece for more than a year, I was aware of the animation sequence, but seeing it actually on the ball for the first time I felt cold. The ball is big, and you think you know that when you see the pictures, but then when you see it in real life, it blew up you away. We got to our place associated with Vigas for about 15-20 minutes before appearing in the programming, and as soon as it appeared, I felt brutally! I think I started applause. I never do that. I was very happy to be now.

The field is one of the world’s largest and most advanced platforms, which features an interior with 16 thousand internal design and an external LED screen that extends over an area of ​​580,000 square feet. How does the field surface scale affect the viewer’s perception of your digital artwork? You are not strange to fictional landscapes or perceptions out of perception, so this should be particularly interesting.

The actual process of drawings was everywhere but inward, 2024 for SPARE interesting because with a large screen the animation should be much slower than I usually stimulated. Frankly, watching the animation was an equal piece on my screen looks like watching the paint dry. But watching the ball looks like regular animation. I think this is just a Shubes.

In general, I am enthusiastic about seeing digital art gets the lead center. Although SPHERE in Vigas literally becomes talking about the tape to the new field they build in Dubai, it is clear that digital art is in high and increasingly legitimate for the world around us.

The temporary nature of the general presentation of the field contrasts with permanent and the inability of art to the chain. How do you see the tension between the greatness of the public scene and the private property of digital art? Is this shift in how art and those with experience affect your approach to creating and presenting your work?

I looked at this like “outside” and “interior” with the field that people explain that digital art is great and enhances art that digital art is valuable. The general scene provides people in ownership and chain a source that can be followed. I would like to think that I balance this tension well. By having a licensed work in Target and Auctions in Sotheby’s, I am able to find condolences in providing art at every level because I really think art is for everyone, and everyone deserves a little post -Wook box in their lives.

On the other hand, the art on the series opened the door in front of me to become a crazy world in my artistic “upper limb” by creating an art that uses Blockchain as a mediator, and frankly it became some of my favorite art. I have always had a soft place to search, so the ability to combine complex and creative data sets seem to be a dream. For people outside the chain, I would like to explain this work like Harry Potter’s photographs, except for using magic to move pictures, we use the code and Blockchain.

I find that it is a cooler to sit with a university who shared the same interests that depend on data and chatting about the future of digital art. Frankly, I have to cut myself sometimes because I feel that I really get the best in the worlds while creating an accurate detailed art on the series and the art of aesthetic retail.

Tell us more about the “Daughter of Astronomy” series, and what can the Bitcoin conference or the inclusion of those present, Vagas, can see from this series in May? I heard a rumor that your father might do the trip.

The daughter of astronomy became somewhat from my favorite horizontal daughters, and it was really fun watching it. It is a group that honors my father’s legacy, which works for NASA through the mixed use of satellite data and artistic style. I chose 100 rare satoshis with varying levels of astronomical importance and on the series to show what happened in space that day.

Of all the different components, the moon’s stages are calculated as the moon is displayed in each image, the constellation that the moon passes through the color of the sky is represented, and any planets close to the earth are displayed according to that, the month and the season are registered as from the scene related to the month, and it is recorded on each image of hardness. together.

Then each piece is pulled together using the load and lacks directly on the Satoshi represented by the artwork.

In May, he first showed five (5) physical shade boxes of selected pieces of the daughter of astronomer to display each layer of artwork, almost as a physical acting for each recurrent element. These pieces will be shown at the Bitcoin Las Vegas Conference, and they will be a scene to see it! And yes, Father Walk might be present even but I do not want to give a lot – people will have to come to themselves!

See the post Wook artwork in Bitcoin Conference Las Vegas and study Vegas. Tickets for these events are available, in addition to reaching a full range of post -parts parties, as part of the Bitco Week package here: https://b.tc/conference/2025/bitcoin-Wek.